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my fiction: sire of sires

by JennyO on August 17, 2010

I was looking for old files in my computer when I came across this short story I wrote in 2008. I had forgotten all about it. But I remember the impetus for the narrative was my finding a sad note like this one in the story. I put myself in the place of the scribbler of the note, and imagined “What if…?”

SIRE OF SIRES

It was 2008, and Danny was forty.

He felt old. It wasn’t that long ago when he was fifty pounds lighter with a full head of hair, jauntily entering the state university’s Malcolm Hall law school as a student. Where did time go?

Do the math, mocked Rina. How old will you be by the time your youngest child has finished his university degree? I loved you, Danny. I still do, a little. But you got yourself into this situation. Not me.

As much as his hand itched to slap her, he couldn’t do it, couldn’t even find the words to reply, because he knew she was right.

After she had gone back into the house and slammed the door in his face, and after he had driven back to his and Thess’s apartment where she, tired of waiting up for him, tired of putting up with his promises to leave his wife and excuses why he hadn’t, couldn’t yet, was asleep on one side of the bed, her bulk taking up fully two-thirds of the mattress, he went down to the living room and sat at his desk.

Drawing a piece of paper toward him with trembling hands, he made a list of his offspring. Lissette, born 13 November 1990; Migs, 25 October 1998, Marco, 29 October 2002. His youngest by Rina, Manolo, was born 8 March 2004, barely a month after Thess had given birth to their firstborn, John, on February 16. His and Thess’s youngest, Matthew, came along on 8 August 2005. Roselle’s baby was due in December.

In 2010, Lissette would be in her fourth year of college; Migs, in sixth grade, Marco in the second, John and Manolo both in Prep, Matthew in senior kindergarten.

In 2015, Lissette should be working, unless she took it in her head to attend law school; Migs would be in his first year at college, Marco in the first year of high school. John and Manolo, the almost-twins, in fifth grade, Matthew in the fourth.

By 2020, Lissette would be 30 years old, presumably working and with a family; Migs, at 22, should be working also. Marco would be 18 and in his second year of college, John and Manolo, both 16 and in their last year of high school, Matthew, at 15, in his junior year at high school.

By 2025, John and Manolo would presumably be in their last year of college, Matthew in his third. Roselle’s child would be 17, and perhaps newly-graduated from high school.

And Danny? He would be 58, with four children still in college. He would still have to be working and earning; there was no guarantee that Lissette, Migs, and Marco, his older children, would contribute towards their half-brothers’ education and upkeep. They would, of course, help out with their brother Manolo, but with John and Matthew? His child by Roselle? He didn’t think so. On the contrary, he felt that they would tell him in no uncertain terms to go to hell, dragging his own tail.

Buntot mo, hila mo.

The jokes comparing him to the prolific stallion Conquistador who sired countless colts and fillies weren’t funny anymore. No, the entire situation had lost its humor long ago.

He wondered where now were the drinking buddies with their ribald challenges of his manhood, where his employers, the racehorse owners with the expensive young women on their arms, where were they now that his life was falling apart?

Danny placed his scribbled list on the desk, weighed it down with an old horseshoe. His  neck hurt. The house oppressed him; it was as if he could hear Thess snoring, John and Matthew breathing heavily, even though they were yards away from him, in their own rooms. Oh, but he loved them so, and Roselle and their unborn child, and his older children, and yes, Rina too. He was never one to stop loving, he could only love more people, add to those already in his heart. Didn’t the old rascals say, “Magdagdag ka ng minamahal, huwag kang magbawas?”

He had always fancied himself a stallion like the late great Conquistador, and he was, with his six progeny, a filly and five colts by two broodmares, with a third dam in foal, and he was magnificent in his sexual prowess, a stud just like his father, they all said so.

His old man died at the track, watching races till his breath caught in his chest and his heart gave out and whose last sight was of horses running till his vision narrowed to a pinpoint and dissolved into darkness, at whose funeral two wives showed up, the first wife sharing bitter whispers with a woman whose jockey husband had left her for a slut: “They come back to us when they’re dead.”

But there was still one more way Danny could be like Conquistador.

He got out of the house, locked the door carefully behind him (it wouldn’t do at all to have an intruder or a burglar come in, an akyat-bahay who would not be content with stealing the plasma TV or the few pieces of jewelry he had managed to buy for Thess, but who would stab his family where they slept, turning them into another “Massacre In (insert name of city here)”, tabloid-fodder for the masses), got into the car, and drove to the racetrack.

The night guard was surprised to see Danny there so late, but waved him through and went back to sleep. Danny parked as close as he could to the first bend. Sitting in his car in the driver’s seat, the seat pushed back as far as it would go so the steering wheel wouldn’t dig into his gut, the moon shining into the car and filling it with silvery light, Danny unzipped the black leather case beside him on the passenger’s seat.

Inside was the bolt gun he used to put all those horses to rest.

It was heavy, the rubber grip rough in his hand, the barrel cool against his temple. He gazed at the track, it was aglow in moonlight, each particle of sand luminous, and over this brilliant surface he saw Conquistador’s legs pumping, galloping for the turn home.

Smiling, he pulled the trigger, and ran to meet his hero.

It was 2008, and Danny was forty, forever. ***

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yes, i write like a girl

by JennyO on July 19, 2010

I had my first creative writing workshop experience a couple weeks ago in our non-fiction writing class taught by Dr Jing Hidalgo. I had no idea what she meant by choosing our “workshop slots” or what a session would entail. Before mine began she murmured, “Is this your first time? Try not to be sensitive. It’s a learning experience.” Since I was already herky-jerky nervous, not knowing what to expect, that got me even more anxious.

As it turned out she – and quite a few of my classmates (the women) – enjoyed my piece (about the old Santa Ana Park racetrack). They were swept up in the narrative, interested in the sprinkling of karera terms, curious about the lifestyle of a little-known sport (horseracing) and way of life. The men had much to say, mostly on technique – the introduction, scene transition, and so on.

Which showed me how differently the minds of men and women work. Is it a sex-based wired-in-the-brain thing? A male friend told me just last month, “Your ‘Pop Goes the World’ columns (opinion for the daily Manila Standard-Today) are getting better. As for the other stuff – try not to write like a girl.” I pondered upon that, long and dreary, till I was weak and weary, into the wee hours of the night. Mainly I wondered, has my friend not noticed that I am a girl? As the raven quoth, “Nevermore”, I suppose.

My ‘Pop Goes…” columns come primarily from the brain. They are analyses of cultural phenomena in Philippine society, rooted in social science and literary theory, social commentaries from my viewpoint as a communication practitioner and scholar.

The rest of my written work comes from the heart. I use the tools of my art, weaving words and ideas and emotion into nets of fragile gossamer beauty or fabrics of wild or subtle color and texture and dimension, to craft with much care works that are ephemeral, existing as they do on only as ink on paper or dancing electrons on a screen, but that will have their existence in your mind and remain there, alive, as long as you are, as long as you do not forget.

My heart is a girl’s heart of sixteen summers, warmed by the sunshine of love and tenderness, battered by the storms of rejection and adversity, strong and resilient enough to go on beating with hope and still more glowing hope.

It is from this heart that I offer the essays that get the most pageviews and comments and re-tweets – the “popcorn manifesto”, the column on my sisters and daughters.

It is when I write from my girl’s heart that I reach and touch more.

My male friend said, “Make them think.” Yet do I accomplish more that is humanly significant when I also make them feel?

My male friend said, “We are not teenagers anymore.”

In my heart I am, ever naïve and gullible, with a core of unshaken innocence that believes no matter how evil some people are, how they may hurt you and others, still good is out there, and life is a quest to look for it to preserve and protect our humanity, the condition in which we shall exist in the face of advancing technology and much of world culture’s seeming slide into barbarism and cruelty.

Good is out there and I keep searching. Sometimes I find it.

There will be other workshops in our creative writing class. I will hear Dr Hidalgo and my classmates critique my forthcoming essays, and I will hone my writing skills. Perhaps I will become more technically proficient, adept at the active opening, smooth transition, and insightful ending. My male friend might have more to say on why he prefers my cerebral pieces to the emotional.

But I will always write like a girl.

Do not be afraid of that. My heart is open, even if yours is not. Come then, into mine.

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the happy feet tales: baby steps

by JennyO on June 4, 2010

Once upon a time, in a big city on one of the big islands of a tropical archipelago close to the equatorial belt where the best coffee in the world grows, there lived a pair of feet.

They were happy feet.

The happy feet loved to walk. Oh, how they could walk! The right happy foot and the left happy foot would take turns being in front, one after the other, walking around the city, getting from one place to another, doing what they were made to do.

But the happy feet were attached to the ankles of a lazy writer who stayed indoors for weeks on end, her bottom growing roots into her armchair as she typed boring articles and surfed the Intarwebz for hours and hours.

The happy feet didn’t get to go out much. That made them sad.

One day the lazy writer’s doctor-classmate-from-school said: You must exercise. I recommend walking. Everyday.

But how, the lazy writer asked.

Baby steps, he said. Take baby steps.

One day, the lazy writer put on a pair of wooden sandals. They were also called “Happy Feet“. The lazy writer’s happy feet loved them because they were light, which meant they could move faster.

They were cool, so the happy feet would not feel hot even on a blazing summer day.

They were open, and the happy feet loved that best of all! Because that meant the happy feet’s toes could wiggle and jiggle and wriggle like toes love to do.

The lazy writer took a cab to work because she was late for a meeting, as she usually was. On her way back home, she remembered her doctor-classmate-from-school’s advice. Baby steps, she told herself. I will walk home.

The happy feet were so excited!

The right happy foot and the left happy foot took turns taking baby steps, one in front of the other, walking towards home, as their toes wiggled and jiggled and wriggled with joy.

They walked dusty gray pavements, but they didn’t mind; there were many things to see along the way.

The happy feet met a plant that grew close to the ground. Its stalk and leaves were very green and they reached out to passing feet. Clip-clop, clip-clop, went the happy feet in the wooden sandals past the plant-in-the-pavement.

Along the way there was a sign for the lazy writer’s favorite energy drink on the facade of a sari-sari store in an old house. Beside the store was an old church. It had red-painted walls. Clip-clop, clip-clop went the happy feet past the store-in-a-house.

When the happy feet first set out, the sun was hidden behind gray clouds. After a while, the sun came out. It shone on the lazy writer’s head. A tall tree’s leaves glowed bright green against the sun, making the lazy writer squint and blink. Clip-clop, went the happy feet past the tree-in-sunlight.

They passed the site of an old racetrack. Once there were loud fans cheering race horses on. Now there were no more fans, no more horses, and no more track. Big noisy construction machines had leveled the place into the ground. Clip-clop, went the happy feet past the once-a-racetrack.

The happy feet met another plant. It was growing in a large metal can that once held infant formula, but now had holes punched with nails all over its bottom while inside it was soil from the old racetrack. The plant was healthy. Its leaves were pretty. Clip-clop, went the happy feet past the plant-in-a-can.

They rounded a corner and saw a big concrete horse’s head. It once sat on the gate in front of the old racetrack. Folks had taken the head down, cleaned it, and put it on a pedestal covered with tiles. This was so that people would always remember the old racetrack. The happy feet knew they were near home. Clip-clop, they went, taking baby steps a little bit faster, past the horse’s-head-marker.

Before them was a long stretch of road. Green tricycles lined up under big old mango trees wrapped in a rainbow, waiting to take passengers where they wanted to go. The drivers asked the lazy writer if she wanted to take a ride. No, thank you, she said. I’ll keep on walking. Clip-clop, went the happy feet past the tricycles-in-rainbow.

At last they came to their street. Close to the corner were two fighting-cock farms. Inside the red gate and the blue gate were many scratch pens of wood, like triangles set into the ground. There were also tall fly pens of wood and plastic mesh. There were many fighting cocks, crowing tik-ti-laok. The happy feet knew they were very near home. Clip-clop they went past the cockpits-in-city.

At last the happy feet were home! The lazy writer was happy too. She had taken baby steps to exercise and it wasn’t bad. It felt very good. And she saw a lot of interesting things along the way. She decided to take a walk more often. The happy feet were glad they got to do what they were made to do. And the toes wiggled and jiggled and wriggled for joy.

~ The End ~

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advice fail

by JennyO on June 3, 2009

A can of Pepsi Max sits in front of me and gives advice.

“I know what you want,” it whispers. Beads of cold sweat roll off  its rouge et noir exterior. “I know how you can get it. Just do what you’re thinking right now. Go for it.”

I take a sip. ” It’s not a very good plan, and I don’t have a backup.”

“You don’t need one.” Chuckles coldly.

I turn Plan A over in my mind. It is possible it could work, like any scheme using brute force.  ”Perhaps,” I say.

The Moleskine chimes in. “Wait,” it says in a rustle of paper. ” Have you thought about the consequences and possible scenarios?”

The Sheaffer Balance makes marks. Numbers, words. “Holes in the plan,” it agrees,  ”here and there, where the mission could fail.”

Another sip of Pepsi Max. “You’re right – Plan A lacks finesse. And Plan B does not exist.”

The drink rallies. “Unnecessary, I swear.”

Anxious looks from the Moleskine and the Sheaffer. “This is too important to trust to chance. Preparedness is key to achieving the desired outcome. Remember how it hurt when you smacked concrete after jumping from a plane without a parachute? You need an improved Plan A. And a Plan B. And C, and D.”

I think of what I want and how badly I want it. The prize is worth waiting for.

I drain the drink. “But…!” it squeaks. “Think instant gratifica…!” I crumple the can and toss it, open the Moley, take up the Sheaffer, and think.

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khaled hosseini: the kite runner

by JennyO on March 18, 2009

Catching up on my reading, I finally got a copy of Khaled Hosseini’s The Kite Runner. I consider myself remiss if a movie comes out before I’ve read the book! Which is what happened with this one. Here’s a cliched platitude to bring about closure – umm, “Better late than never” do ya? – and let’s get on with the review.

For a first novel, it’s extraordinarily well-written and the pacing is fine. I couldn’t put it down – always the mark of a good read for me. Set in 1970s Afghanistan, before that country’s revolution and its occupation by Russian forces, the narrative revolves around Amir, the privileged young protagonist, and his responses to the events that shape his life.

Enchanting descriptions of traditional activities like kite-flying, woven in with bits of history, opened their world to me in a way that a non-fiction work wouldn’t have been able to do.

From the communication perspective, there are interesting insights on inter- and intra-cultural communication, as well as interpersonal communication – between family members, friends – illustrating Afghan communicative behavior.

I don’t put spoilers in my reviews of fiction, and I won’t do it here. I’ll just tell you that this work tackles the universal themes of love, friendship, and loyalty, bound up with cowardice and self-preservation, until sacrifice brings redemption in the end.

It’s inspiring.

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wow, so plenty of paths and trees in UP, parang jungle, i swear.

by JennyO on December 16, 2008

Last Tuesday I was at UP, noh, the one in Diliman. Yeah, ‘coz I had to get my ID na talaga, kasi the ones they’re giving out this year have the UP Centennial logo, it’s really cute talaga.

I looked for the OUR pa – you know, the Office of the University Registrar – kasi that’s where we have to get the ID daw. Then I got lost trying to find it ‘coz the last time I was here in UP was antagal na talaga, noh. I don’t even know that OUR, I swear. Someone told me nalang to ride the Toki jeep.

So I waited for one near Shopping Center. Grabe, there’s a “free ride” Toki pala. So kahit it was hard for me to make sakay on the jeep ‘coz I was carrying a lot of books, I rode it pa rin.

But all the other passengers got down before I did. Tapos me and the driver nalang were left. He drove the jeep to the Math building na, gosh, it didn’t exist when I was an undergraduate, I swear! He let me down there and told me to walk.

I said, “Why naman, mamang driver, will you make me walk? I might get lost pa!” He told me, “There’s a path there. Just follow it. Then ride the Ikot to OUR.” Wow, he spoke in English, galing talaga the drivers in UP.

So I looked for the path. Wow, meron nga. All paved and everything, with lanterns pa along the way. So sosyal talaga.

So many plants everywhere talaga, also trees. UP must be vegetarian, noh? Galing the architecture, even the paths are nice, paved in a herringbone pattern and parang origami with the tuklap-tuklap, I swear.

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I even saw a bridge! Wow! I couldn’t believe it!

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O, see, there’s a waterfall effect pa. Galing talaga, noh!

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Nice in UP, noh? Parang gubat, I swear. But you have to make lakad-lakad nga lang all over the place to see the things like this. So don’t wear high heels or wedge sandals ‘coz you might make tapilok, then you’ll be wa-poise, yaks!

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a path not travelled

by JennyO on November 28, 2008

Last Tuesday, I dropped by the College of Arts and Letters at the University of the Philippines-Diliman. It seems that I had been admitted to the CAL’s PhD Creative Writing program for the second semester this academic year; inadvertently, I was not informed.  I thought I was rejected, and enrolled at the UP College of Mass Communication instead. My fault, really. I should have checked with the CAL staff when I hadn’t heard from them.

At CAL, I took a look at my acceptance letter from Dean Virgilio Almario, and noted that I was required to take only one remedial subject (Comparative Literature 121 or 122). It feels great to know that I have the option of enrolling in that program next semester.

Walking to CMC for class, I was struck speechless yet again by the beauty of the fading afternoon sunlight filtering through the leaves of the trees that line University Drive.

On the right, after AS (Palma Hall) and FC (Faculty Center) is the Vargas Museum and the long stretch to the corner, where I’d have to turn right, walking past Quezon Hall (Administration Building) on the right all the way to CMC, the first structure on the left along Ylanan Street. It was a bit of a ways.

The curb was paved in stone or concrete blocks that were mossy with age, and crooked, like the earth beneath them had taken a deep breath and pushed them out of place. Twenty years ago, as an undergrad, I walked these same curbstones and they were gray as a rainy day.

On the left, though, was an expanse of green. A park. A path cut through the grass. I took it.

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There were electric lampposts in the middle of the park. Lantern Waste in the summer?

I decided to walk through, not knowing where I would end up, if I would be out of my way, lost, late for class. But the path beckoned.

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Every where were trees, and shrubs, and plants whose names I did not know. Green surrounded me. In the midst of the city, I was enveloped by nature.

How come I have no memories of exploring this park two decades ago? I suppose I had never been here; my sneaker-shod feet had never trudged these verdant by-ways. Now I step carefully across a narrow stone bridge spanning a little creek, and pick my way gingerly past rocks and roots that threaten to trip me as I totter along in four-inch tall wedge sandals.

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The path winds behind Quezon Hall.

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It ends at the road parallel to University Drive, across the UP Theater and the Carillon. In other words, it’s a shortcut to CMC from FC.

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I look back at the way I have come. I’m glad I found this path, taken late but better than never at all.

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I emerge into the sunlight. I spy CMC in the distance, at the right.

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In a few minutes, I reach CMC – Plaridel Hall. It is not journey’s end, but it is where I begin a new chapter of my life.

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It’s an obvious parallelism, but I’m an obvious person anyway, so here it is – it’s like life. Taking paths not travelled before to see where they lead, braving the unknown, skirting obstacles, always with courage and with style. Who knows, one of those paths could be a shortcut to your destination, and worth taking, after all.

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ik’s triumphant poem

by JennyO on August 14, 2008

Hallo! I made a *rather* nice poem. LOL.

Sender: aaIk  Received: 02:31:35pm

That’s nice! Email it to me, pls tnx

To: aaIk  Sent: 02:32:07pm

Ookie! I shall email triumphantly!

Sender: aaIk  Received: 02:37:28pm

I look forward to your triumphant email! I luv u!

To: aaIk  Sent: 02:38:52pm

Sent, it is! :D

Sender: aaIk  Received: 02:54:45pm

ze poem ~ (via email)

To Fly

How I wish I could fly -
But I wonder where?
Well, as long as I could,
I would go anywhere!

Maybe to the beach,
Even to the mall.
Anywhere, as long as I
Don’t fall!

But what if one day, Mama came
And I was nowhere to be found?
She would be so worried, so I know
It would be best to stay on ground.

© 2008 Erika Alcasid

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the poetry of joel h. vega

by JennyO on August 4, 2008

How mysterious is friendship, and the bonds that tie people together across years and distances. When I was in fifth or sixth grade in a Protestant school in Pasay City, one of the people I admired and looked up to was a senior named Joel H. Vega. We lent each other books, and talked about literature and how words could be  powerful enough to move us in ways others could not understand, or even care to learn.

Joel graduated, and I saw him only once after that. He visited our school about a year or two after he had left, to tell me that he had entered the University of the Philippines in Los Baños and was taking Journalism. He encouraged me to develop my writing skills and take Journalism too.

When I became a senior myself and had to decide on my college course, I was confused. My other classmates were going for Nursing, Biology, Dentistry, and the other life sciences. This was the career path encouraged by our school. Not being particularly altruistic nor desirous of encountering blood and other body fluids on a daily basis, I remembered Joel’s words, and so I ended up also in UP, in the Communication (Journalism) program, where I spent four happy years.

Now I make my living from writing. And my choice of career path, I owe to Joel H. Vega, and a chance remark on his part, perhaps forgotten soon as it was said, but with a profound and significant influence on my life.

After 24 or 25 years, we are in touch again, through the Internet. Joel is in the Netherlands, working as a medical journalist, and before that in other countries, always as a writer. Always as a writer.

His life is filled with words and music and art and travel and culture and I am so happy for him.

One thing that made me even happier – and proud – was when I learned that he is a published writer and poet. His poetry has been anthologized many times in Philippine and US literary journals, and he also wrote a collection of essays - Dir’iyah – about life as an expat in the Middle East.

Here’s one of his most popular poems -

The Fifth & Careful Season

Beyond October, before the lure
Of orange, the swarm flies across
Nevada’s skies.

Listen, the talebearer says,
Listen as they drag the weight
Of distances from as far as Peru
And Cebu.

Head, thorax, abdomen,
Two antennae, six legs.
Lepidoptera. Scaly wings
Open (inhale) close (exhale)
The dusty breath
Of mute birds.

What is an army of itinerant moths?
A catapulted piece of the moon,
Flung to earth from the Sea of Tranquility.

But ours is a season of agitation
When guns in an arid land
Hound orphans, their pain looming,
Bigger than a mountain.

Tonight, the moths seek shelter
In mossy ribs of fallen logs,
Their wings encoding
Secret trajectories of storms.
What we hear though is neither
Typhoon nor hurricane

But the solid rain
Of ricocheting bullets
Hissing in the dark.

Joel H. Vega
Copyright © 2004

About this piece, Joel says: “I am particularly delighted with the poem published by DMQreview (The Fifth and Careful Season), because I somehow hit a sensitive nerve with that poem. Besides, the images, words, rhythm, etc, just all came together…. Poems like that doesn’t come to me often. It can be my most successful poem to date as it has been re-printed thrice, and with that poem I bagged the Meritage Press ( a small Filipino-owned lit press in California ) annual poetry ‘fun’ contest in 2005.”

I look forward to reading all of Joel’s poems in one volume – whether published in the Philippines or abroad, as long as copies are available in this country – so that this wandering poet’s works may be read and appreciated in the land of his birth.

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butch dalisay launches latest novel

by JennyO on August 1, 2008

Anvil Publishing and Jose Y. Dalisay Jr., PhD, successfully launched Soledad’s Sister yesterday at the Claro M. Recto Hall of the Faculty Center, University of the Philippines, Diliman.

Dr. Dalisay’s second novel, after Killing Time in a Warm Place (1992), Soledad’s Sister has been widely acclaimed by both local and foreign critics and was shortlisted for the 2007 Man Asian Literary Prize.

The launching ceremony featured a short lecture delivered by Dr. Dalisay on “Writing the Filipino Novel”, followed by reactions from fellow academics.  A short question-and-answer forum ensued, then a short speech by Anvil Publishing owner Karina Bolasco. Dr. Dalisay then read a brief excerpt of his novel. A book signing was the final activity, with Dr. Dalisay wielding either a Faber-Castell or a Pelikan M800 Souveran fountain pen.

Dr. Dalisay’s soundbites from the Q&A:

On how many more novels he plans to write: “Before I croak, I expect to write five novels…this is the second…after that, I’ll clean my fountain pens. That’s all I really want to do.”

On whether one can make money from writing novels: “Ang nobela dito (Philippines), unless it’s picked up in school, doesn’t go to second printing…often, the first doesn’t sell out.”

On whether Filipinos are a good market for books: “Filipinos buy books. They just don’t buy us (Filipino writers in English).”

On creating popular works with literary value that sell well: “I”m really serious about this…it’s an aesthetic challenge, to bridge that gap, to write something that’s popular and at the same time really well done.”

On the inspiration for latest novel: “The story of our OFWs (Overseas Foreign Workers) is the definitive Filipino story of our time…it’s the most outstanding feature of our economic landscape. We have become so dependent on them for our sustenance – their being there and coming home here changed our political landscape… They come back knowing that some things work, and that the government shold be accountable to you…that will create political changes… Masasaya, malulungkot ang kuwento nila.”

Dr. Dalisay reads an excerpt from “Soledad’s Sister”

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Signing books with a Pelikan M800 Souveran, B nib, blue ink

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Fellow fountain pen collector George Mamonluk snapping photos of the event

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