A Nakaya fountain pen, no matter the price, comes beautifully packaged in a simple pauwlonia wood box with a pen wrap. It’s just one more instance of the company’s attention to detail, their commitment to giving their customers not only quality products but also a satisfying experience.
Every Nakaya fountain pen comes with a pen wrap like this one – its own kimono, if you will.
I prefer my Nakayas without clips. They have a tendency to roll on flat surfaces, but I find the sleek uninterrupted line true to the aesthetic, the finish gleaming unbroken along its length.
The kuro-tamenuri finish is black lacquer upon red. In time, the lacquer will become more translucent, and more of the red underneath will start to show through. This pen is about four years old; its color was darker when I acquired it over two, maybe three, years ago from Leigh.
Writing sample with the stock flexible fine nib. There is good line variation, and I’d probably get more if I were better at calligraphy. As it is, it’s a modern nib that flexes much like vintage ones.
“Love is a Memory” is the title of an essay simmering on the stove (it’s what I had workshopped at this year’s University of the Philippines National Writers Workshop last April). Excerpts from the essay are here, here, and here.