The Nakaya Piccolo Cigar is a triumph of understated design. It draws on the Japanese aesthetic – simple, clean, minimal. Its lines are sleek and elegant. It is a zen koan brought to life.
Nakaya calls this model the “Cigar” because it is sans clip; their model with clip is called “Writer”.
The black lacquer finish on this one gleams subtly, an inky pool that laps up light.
The Piccolo is Nakaya’s shortest size.
Uncapped, it’s just right for my hand. I try not to post the cap when using it so as not to scratch the barrel finish, though urushi wears pretty well.
The nib is, as all Nakaya nibs are, reliable from the get-go and doesn’t skip nor railroad.
The 14-k gold medium stock nib is firm with a hint of spring. It is perfect for note-taking and daily use.
This pen was rehomed from bleubug two years ago. I’d put it away for safekeeping, but lately I’ve been thinking, Life is short. Let’s use the good china – and the fountain pens.
So I took it out of hibernation and let it rock.
“Wajima” is the area in Japan where world-renowned lacquerware – urushi – has been produced since the 16th century. Nuri means “coating”. Nakaya Fountain Pen Company artists work with a Wajima-based company for the urushi finishes for their pens. The lacquer work is a painstaking, labor-intensive process. It takes a couple of months of expert craftsmanship to build up the urushi finish by hand on the ebonite base of a Nakaya fountain pen.
The Piccolo Cigar rests on a Pocket Moleskine on my lap. Since the pen does not have a clip, it has a tendency to roll on flat surfaces. One of these days I might get a roll stopper for it like this one. I’d like a horse or a cat.
More than a functional object, it is a work of art. It is a marvel of Japanese engineering and design. With my Nakaya, I feel I can take over the world. Or, at the very least, stylishly make notes on how to get it done.