I had my first creative writing workshop experience a couple weeks ago in our non-fiction writing class taught by Dr Jing Hidalgo. I had no idea what she meant by choosing our “workshop slots” or what a session would entail. Before mine began she murmured, “Is this your first time? Try not to be sensitive. It’s a learning experience.” Since I was already herky-jerky nervous, not knowing what to expect, that got me even more anxious.
As it turned out she – and quite a few of my classmates (the women) – enjoyed my piece (about the old Santa Ana Park racetrack). They were swept up in the narrative, interested in the sprinkling of karera terms, curious about the lifestyle of a little-known sport (horseracing) and way of life. The men had much to say, mostly on technique – the introduction, scene transition, and so on.
Which showed me how differently the minds of men and women work. Is it a sex-based wired-in-the-brain thing? A male friend told me just last month, “Your ‘Pop Goes the World’ columns (opinion for the daily Manila Standard-Today) are getting better. As for the other stuff – try not to write like a girl.” I pondered upon that, long and dreary, till I was weak and weary, into the wee hours of the night. Mainly I wondered, has my friend not noticed that I am a girl? As the raven quoth, “Nevermore”, I suppose.
My ‘Pop Goes…” columns come primarily from the brain. They are analyses of cultural phenomena in Philippine society, rooted in social science and literary theory, social commentaries from my viewpoint as a communication practitioner and scholar.
The rest of my written work comes from the heart. I use the tools of my art, weaving words and ideas and emotion into nets of fragile gossamer beauty or fabrics of wild or subtle color and texture and dimension, to craft with much care works that are ephemeral, existing as they do on only as ink on paper or dancing electrons on a screen, but that will have their existence in your mind and remain there, alive, as long as you are, as long as you do not forget.
My heart is a girl’s heart of sixteen summers, warmed by the sunshine of love and tenderness, battered by the storms of rejection and adversity, strong and resilient enough to go on beating with hope and still more glowing hope.
It is from this heart that I offer the essays that get the most pageviews and comments and re-tweets – the “popcorn manifesto”, the column on my sisters and daughters.
It is when I write from my girl’s heart that I reach and touch more.
My male friend said, “Make them think.” Yet do I accomplish more that is humanly significant when I also make them feel?
My male friend said, “We are not teenagers anymore.”
In my heart I am, ever naïve and gullible, with a core of unshaken innocence that believes no matter how evil some people are, how they may hurt you and others, still good is out there, and life is a quest to look for it to preserve and protect our humanity, the condition in which we shall exist in the face of advancing technology and much of world culture’s seeming slide into barbarism and cruelty.
Good is out there and I keep searching. Sometimes I find it.
There will be other workshops in our creative writing class. I will hear Dr Hidalgo and my classmates critique my forthcoming essays, and I will hone my writing skills. Perhaps I will become more technically proficient, adept at the active opening, smooth transition, and insightful ending. My male friend might have more to say on why he prefers my cerebral pieces to the emotional.
But I will always write like a girl.
Do not be afraid of that. My heart is open, even if yours is not. Come then, into mine.







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I’d not have it any other way.
It’s strange when people want you to write in a way that you’re not, instead of celebrating what you are. Just keep on writing the way you write
I’d slap that guy who told you to try not to write like a girl. The funny thing is…one of the sites I sold before (it was tremendously popular), got sold and got popular because I wrote like a girl. That dude’s probably just insecure.
I love your writings, how easily the words flow. I love the length of your pieces. I love how they’re uncomplicated but substantial. I would not have it any other way.
Of course, we can’t close our minds against improving our technical skills. That, I would gladly welcome. But as we in the multimedia industry say, “If you keep concentrating on the technical, the concept will be lost.” (That’s why I don’t want to watch movies like Inception with people who are only adept at critiquing the technical.)
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