China possesses one of the world’s oldest scholarly traditions, dating back millenia. Symbols scratched on oracle bones found in Jiahu, a Neolithic settlement, suggest that the evolution of Chinese writing began around 6600 BCE. A trove of classical works from 770 BCE onwards enriches Chinese literature; these were appreciated and added to by the intelligentsia and, upon the invention of woodblock and moveable type printing, were widely disseminated and read by the learned for generations.
From carvings on bone and turtle plastrons for divinatory purposes, Chinese writing evolved into logosyllabic characters of ink brushed on paper serving practical (record-keeping) and artistic (literary) functions. The art of writing and calligraphy became skills cultivated among the upper and middle classes.
The tools of calligraphy were highly prized. Chinese scholars called them “the four treasures of the study” – the inkstone, inkstick, brushes, and paper. Other tools used were carved seals of stone, wood, or ivory; seal paste of cinnabar mixed with castor oil and silk strands or plant fiber; sculpted or carved paperweights; and desk pads.
Calligraphy is still taught in Chinese schools to the present day, all over the world. Filipino students work with writing sets, learning to imbue characters with emotion using deft, fluid strokes with an ink-dipped brush.
UK-based AL Merginio-Murgatroyd, a friend from school days, sent me this set. The cardboard box is covered with green silk that shines bluish in sunlight; the pattern is embroidered with violet-gray thread.
Inksticks were traditionally made from soot and glue. They often have carvings or were molded into whimsical shapes like flowers. Many inkstones, especially antiques, are works of art and cherished by collectors.
To use, drag water from the inkstone’s ‘well’ on to the ‘plain’; grind the inkstick against the stone until the water in the well runs dark enough.
Seals are used like rubber stamps – dab the carved side into seal paste, and gently press it onto the surface of the paper, rocking it back and forth to ensure a good impression. Remember to keep seal paste containers covered and in the box to prevent it from drying out.
As I hold this box in my lap, I think of many things – the sheer weight of the thousands of years of Chinese culture; the literature classics written with materials like these, from the Tao Te Ching to the Confucian Analects; that practical things may also be works of beauty, and uplift to an art the labor done with them; how writing tools have evolved through time in various civilizations; and more, and more.
Most of all I think of how a friend now in a cold country far from her motherland’s tropical warmth, who taught me Math and conversed with me when I was in elementary and she in high school with license to ignore the small fry yet still kindled the fires of friendship, a friend whom I have not seen for more than two decades, keeps our connection burning with this and other tokens of remembrance.
Thank you, AL. I hope one day to see you again, and embrace you again, and show you my gratitude for your love through the years. Be blessed.
Photos by Alex Alcasid; inkstone and seal ‘how-to’ images here.